Krisztián Hofstädter

The module aims to help develop our personal and professional/institutional resident identities on the Web i.e. resident modes of engaging on the Web.

In this AHRC funded project, we seek to explore how sound design techniques can be used to rethink accessibility to film and television for visually impaired audiences.

My research developed brain-computer music interfaces to help create and maintain meditative states of mind.

Working with Cambridge based educator, visual artist, Rhea Quien. I maintain websites, computers and produce, edit or post-produce audio-video material.

We link sustainable Chinese tea to local art.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

As an academic researcher at the Anglia Ruskin University, I was consulting the Regions of Learning project run by Cambridge City Council. My tasks involved researching hardware and software technologies that allow registering attendance of young adults accessing learning activities at a variety of venues.

I delivered two workshops on setting up a multilingual website with Jekyll, GitHub Pages and a WiredCraft theme at the University of Essex.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

My experience in learning and teaching as a non-native in the UK has led me to consider that non-native students in an English-speaking country also suffer a form of socio-economic inequality.

An online tool to help students become active participants in the process of self and peer assessment.

A 15 credit module where the cohort discussed the theoretical and practical aspects of sonic art and then produced work around these ideas.

Why make audio for games? What does audio in films and games do?

To find inspiration and examples of good practice, we briefly investigate the moving image culture in historical context with examples of silent films, talkies, studio systems and important musical styles.

Artists have been interested in translating visual information to sound and vica versa. Why do we (they) do this?

A 15 credit module concentrating on aspects of technology that encourage live performance and audio manipulation, this module was designed to provide the knowledge and opportunity for students to create their own performances and sonic installations.

A 15 credit module that allowed students to create original music and sound design that experiments with poetry, short films and video games using acoustic and computer-based methods of composition.

How does a landscape sound? How does a poem sound? A presentation outline with quick ideas for sonification and musification.

Besides events organising and audio post-production, my main task as a research assistant in the StoryLab Research Institute have been to edit, maintain and update our research website that I designed in 2018.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

Examples of my photography.

For David Ryan's Recitative project I was the live sound engineer and the photographer.

A 15 credit module where students developed their knowledge of digital audio and traditional music theory by creating and performing their own musical works using the laptop computer as the main musical instrument.

A music release featuring compositions for a theatre play.

An audio-video workshop for two members of the Cambridge based Funky Flamingo Club, an organisation for people with disabilities.

A cross-domain, multi-modal and experimental entertainment by Richard Hoadley.

A music release with sound design and composition for Jane Upton’s 'Swimming', a theatre play directed by Paul Bourne at Menagerie, Cambridge. The music is mainly electronic with elements of hip-hop and drum and bass.

Conceptual art and photoreportage.

Techno, trance, experimental electronic dance music ... to finish sometime.

Two showreels featuring work for games and films.

Stream of compositions made live with my Focus prototype, a SuperCollider sequencer generating random musical pattern.

A musical release featuring compositions made with the Focus prototype, a SuperCollider sequencer generating random musical pattern.

A fusion of celtic & electronic music for the award winning platform game, Stormbrothers.

Focus (the prototype) is a musical game that by measuring real-time EEG data aims to help reduce stress. To reward the participant whenever a challenge is completed, the neurofeedback system generates or alters preset and generative musical expressions.

A music release interpreting stories from my 'secret place', a special state of mind.

Some materialised ideas in CB1 Internet Cafe, Cambridge.

A music release playing with bright and dark ideas.

A human computer interface with infrared sensors controls parameters of a soundscape e.g. spacialisation and instrument volume.

Interactive sonic art installation using ultrasonic sensors and light dependent resistors to manipulate sound and visuals.

A creative music workshop in Hungary.

Essay on the use of 'focus & attention' in sonic art [editing required].

A music release with traditional instruments and electronica.

Experimental electronica with traditional instruments influenced by the music of Steve Reich.

Three sensor technology projects using hand gestures and offline brainwave data to control sound textures.

A music release with dark electronic music.

A music release with alternative music and sound-design for the original Flow game.

The BA dissertation introducing my early experiments with Brain-Computer Music Interfacing.

A music release featuring acousmatic music and experimental electronica.

A music release featuring compositions reflecting on the idea of freedom and a remix of Karl Lauefer's house track 'Mondillo De Fujer'.

A few abstract poems in Hungarian language.

Music mixes linking some of my favourites.

Abstract oil paintings on pressed wood.

As an academic researcher at the Anglia Ruskin University, I was consulting the Regions of Learning project run by Cambridge City Council. My tasks involved researching hardware and software technologies that allow registering attendance of young adults accessing learning activities at a variety of venues.

Working with Cambridge based educator, visual artist, Rhea Quien. I maintain websites, computers and produce, edit or post-produce audio-video material.

We link sustainable Chinese tea to local art.

Some materialised ideas in CB1 Internet Cafe, Cambridge.

For David Ryan's Recitative project I was the live sound engineer and the photographer.

In this AHRC funded project, we seek to explore how sound design techniques can be used to rethink accessibility to film and television for visually impaired audiences.

My research developed brain-computer music interfaces to help create and maintain meditative states of mind.

A music release featuring compositions for a theatre play.

A music release with sound design and composition for Jane Upton’s 'Swimming', a theatre play directed by Paul Bourne at Menagerie, Cambridge. The music is mainly electronic with elements of hip-hop and drum and bass.

Techno, trance, experimental electronic dance music ... to finish sometime.

Two showreels featuring work for games and films.

Stream of compositions made live with my Focus prototype, a SuperCollider sequencer generating random musical pattern.

A musical release featuring compositions made with the Focus prototype, a SuperCollider sequencer generating random musical pattern.

A fusion of celtic & electronic music for the award winning platform game, Stormbrothers.

Focus (the prototype) is a musical game that by measuring real-time EEG data aims to help reduce stress. To reward the participant whenever a challenge is completed, the neurofeedback system generates or alters preset and generative musical expressions.

A music release interpreting stories from my 'secret place', a special state of mind.

A music release playing with bright and dark ideas.

A human computer interface with infrared sensors controls parameters of a soundscape e.g. spacialisation and instrument volume.

Interactive sonic art installation using ultrasonic sensors and light dependent resistors to manipulate sound and visuals.

A music release with traditional instruments and electronica.

Experimental electronica with traditional instruments influenced by the music of Steve Reich.

Three sensor technology projects using hand gestures and offline brainwave data to control sound textures.

A music release with dark electronic music.

A music release with alternative music and sound-design for the original Flow game.

A music release featuring acousmatic music and experimental electronica.

A music release featuring compositions reflecting on the idea of freedom and a remix of Karl Lauefer's house track 'Mondillo De Fujer'.

Music mixes linking some of my favourites.

The module aims to help develop our personal and professional/institutional resident identities on the Web i.e. resident modes of engaging on the Web.

I delivered two workshops on setting up a multilingual website with Jekyll, GitHub Pages and a WiredCraft theme at the University of Essex.

A 15 credit module where the cohort discussed the theoretical and practical aspects of sonic art and then produced work around these ideas.

A 15 credit module concentrating on aspects of technology that encourage live performance and audio manipulation, this module was designed to provide the knowledge and opportunity for students to create their own performances and sonic installations.

A 15 credit module that allowed students to create original music and sound design that experiments with poetry, short films and video games using acoustic and computer-based methods of composition.

A 15 credit module where students developed their knowledge of digital audio and traditional music theory by creating and performing their own musical works using the laptop computer as the main musical instrument.

An audio-video workshop for two members of the Cambridge based Funky Flamingo Club, an organisation for people with disabilities.

A creative music workshop in Hungary.

Besides events organising and audio post-production, my main task as a research assistant in the StoryLab Research Institute have been to edit, maintain and update our research website that I designed in 2018.

Examples of my photography.

A cross-domain, multi-modal and experimental entertainment by Richard Hoadley.

Conceptual art and photoreportage.

Abstract oil paintings on pressed wood.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

My experience in learning and teaching as a non-native in the UK has led me to consider that non-native students in an English-speaking country also suffer a form of socio-economic inequality.

An online tool to help students become active participants in the process of self and peer assessment.

Why make audio for games? What does audio in films and games do?

To find inspiration and examples of good practice, we briefly investigate the moving image culture in historical context with examples of silent films, talkies, studio systems and important musical styles.

Artists have been interested in translating visual information to sound and vica versa. Why do we (they) do this?

How does a landscape sound? How does a poem sound? A presentation outline with quick ideas for sonification and musification.

I co-edited this peer-reviewed journal paper for the AHRC funded Enhancing Audio Description project.

Essay on the use of 'focus & attention' in sonic art [editing required].

The BA dissertation introducing my early experiments with Brain-Computer Music Interfacing.

A few abstract poems in Hungarian language.